#Detours boogie bag how to#
#Detours boogie bag pro#

He collects breakbeats, heвЂ™s an amazing DJ, he knows how to put shit together and he knows how to run 303s вЂ“ and Roland 303s are really hard to program.вЂќ

I was like, вЂthis fucking guyвЂ™s just like me!вЂ™.

ThatвЂ™s when I first met, and then he ends up sampling my voice, then we worked on вЂBadder Badder SchwingвЂ™ together. вЂњI got invited to play the Big Beat Boutique. He was an avid supporter of FreshвЂ™s perky updates on the hip hop sound, and thatвЂ™s what brought him over to the British seaside. While he may have been known in France for techno releases on his Analog label, it was Freddy FreshвЂ™s releases on Butterbeat that caught the ears of Norman Cook in Brighton. Read this next: Why Sven VГ¤th will never give up vinyl I showed up with a cardboard box of records with rope around it and sixty bucks my dad gave me because I was so fucking broke.вЂќ Such was his naivety he didnвЂ™t even get paid for the gig, receiving only expenses, but it was the launchpad for a 17-year career as a travelling DJ, as well as for a bewilderingly diverse stable of imprints for his various electronic forays. I had no clue they even had a scene for techno. вЂњI was delivering pizzasД«ack then, and I flew to Paris with a cardboard box with rope around my records because I didnвЂ™t even know what a fucking record bag was. вЂњMy first booking was with Joey Beltram, Jeff Mills, Damon Wild and some others,вЂќ he chuckles. вЂњIвЂ™d keep all the record label catalogues and I realised well, shit, wouldnвЂ™t it be cool вЂ“ and this was before Discogs was really brewing вЂ“ to have this information printed out?вЂќД«ut it was as a techno DJ and electronic music producer that he finally earned his boarding pass to the worldвЂ™s DJ booths. First published in 2004, Freddy Fresh presents The Rap Records was an early attempt to document the genreвЂ™s rarities and collectibles going right back to its street-level roots. It was his early love for hip hop that was the inspiration for his gargantuan book. He eventually became a Def Jam rep, which gave him an insiderвЂ™s access to the rap world. Read this next: The Daisy Chain podcast celebrates dance music's diversity I was making plates and plaques for all the rappers back then, just to get their attention. I made the plaque on the cover of the Boogie Down ProductionsвЂ™ first album, вЂCriminal MindedвЂ™. вЂњI made plates for Crazy Fingers, Melle Mel, Red Alert, Chuck Chill Out.

#Detours boogie bag pro#

His father owns a trophy shop, MikeвЂ™s Pro Shop, and heвЂ™d butter up producers and DJs by presenting them with engraved plaques. вЂњI was just starting out then, but IвЂ™d use the stationery headers from some of the leading nightclubs in the Twin Cities and exaggerate my status as an elite DJ.вЂќ If that didnвЂ™t work, his other ploy was equally devious. вЂњI used to drive seventeen hours from Minnesota to New York to try and blag records,вЂќ he says. Speaking to us from St Paul in Minnesota, his undimmed enthusiasm for music is doing its damnedest to thaw the chilly midwestern weather. Had he had a keener eye for marketing or been less of a musical purist, Freddy might well be touring still. HeвЂ™s performed any number of roles, from A&R scout for Def Jam and Tommy Boy, record producer, DJ, label head and, more recently, author, thanks to his monumental self-published tome Freddy Fresh presents The Rap Records. Several of his older recordings are now big-ticket collectorsвЂ™ items. Freddy FreshвЂ™s career has spanned three decades and taken in countless genres and detours, including a Top 40 smash with Fatboy Slim, вЂBadder Badder SchwingвЂ™.